A PRISONER OF FATE
As Queen of the island kingdom of Calanthe, Euthalia will do anything to keep her people
free—and her secrets safe—from the mad tyrant who rules the mainland. Guided by a magic ring of her father’s, Lia plays the political game with the cronies the emperor sends to her island. In her heart, she knows that it’s up to her to save herself from her fate as the emperor’s bride. But in her dreams, she sees a man, one with the power to build a better world—a man whose spirit is as strong, and whose passion is as fierce as her own…
A PRINCE AMONG MEN
Conrí, former Crown Prince of Oriel, has built an army to overthrow the emperor. But he needs the fabled Abiding Ring to succeed. The ring that Euthalia holds so dear to her heart. When the two banished rulers meet face to face, neither can deny the flames of rebellion that flicker in their eyes—nor the fires of desire that draw them together. But in this broken world of shattered kingdoms, can they ever really trust each other? Can their fiery alliance defeat the shadows of evil that threaten to engulf their hearts and souls?
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I ended up getting the audio version of “The Orchid Throne” and the performance was quite good. I’m giving the overall experience a 3.5/5, however, because I found the story and characters to be somewhat lacking. Development and natural plot progression left something to be desired, but the vivid descriptions and unique scenery were lovely.
Euthalia was an interesting character, and I would have liked her a lot more if her character had been consistent. Strong, determined, perhaps a bit blinded by her situation, her determination to protect her people was quite admirable. She led with grace and poise, but once our hero was introduced, her treatment of those closest to her became inconsistent and made it pretty obvious which of them was either going to betray or fail her. It made her almost mercurial, and I found myself liking and trusting her less and less as the story progressed.
Conri, on the other hand, was quite consistent in his actions, thoughts, and treatment of his companions. His single-minded determination to have revenge at basically any price drove the plot more naturally than Euthalia’s motivations, though even Conri felt a little forced at times. His companions were more developed than Euthalia’s, and much less likely to go through random personality shifts.
The interplay between Conri and Euthalia was complex and slow to build into something resembling cooperation. There is a distinct powerplay between them, and the give-and-take flowed quite naturally. The consummation of their relationship was the closest they ever got to finding a balance, and I wish it hadn’t happened to close to the end. It would have been nice to see a little more of the effect their choices had on Calanthe and abroad.
In addition to the aforementioned powerplay, the saving graces of “The Orchid Throne” were the realm-level backstories, the beautiful scenery, and the overarching threat of the Emperor. The culture of Calanthe and its court were fascinating, and I'd have liked to see more. Ms. Kennedy has a talent for vivid description (if not for believable and natural character development), and she painted a lovely backdrop. If she takes the time to work on her characters, she’ll definitely be an author to watch!
Bottom line: “The Orchid Throne” was a rather mediocre read, and I find myself uncertain about continuing the series. I’d recommend this book with hesitation.
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“Arise, Your Highness. The realm awaits the sun of Your presence.”
The ritual words cut through the thick smoke of the nightmare, bringing me awake with a start. A bad omen that I hadn’t come out of the dreams on my own—and a sign that gave the images the power to linger in my mind, stains refusing to be scrubbed clean.
The wolf fought its chains, howling in hoarse rage, shedding fire and ash.
The sea churned, bloodred and crimson dark, bones tossed in the waves, white as foam.
The tower fell into a pile of golden rubble, then to fine sand, the grains sliding against one another with soul- grinding whispered screams.
I loathe dreaming, where I have even less control than in the waking world. Calanthe Herself sings sweetly to me of the seas, the plants, and the creatures that walk Her soil. But outside our fragile island, the abandoned lands beyond cry like frightened children in the night. I can’t help them. It’s all I can do to protect Calanthe, and most days I de- spair of being able to do even that.
Still, with no one else to hear them, they call to me in chaotic images, the nightmares dashing me from one dark scenario to the next. No matter how the dreams plague me, I usually wake when the light of the rising sun reddens my eyelids. I keep my eyes closed, pretending to anyone who checks on me that I’m still asleep. Pulling the pieces of my composure together, I listen to the morning song of Calanthe. The birds sitting high in the canopy to catch the first warming rays of the sun show me the sky. The fish swimming in the sea speak of clean water and plentiful food. Even the trees, the flowers, the small insects in the soil all hum to me of their lives.
All reassure me of the balance, that Calanthe, at least, is peaceful and vital.
Only I and the land I’m tied to exist in that time after sleep and before true waking, in what I call the dream- think, an almost enchanted bubble where I belong en- tirely to Calanthe. The emperor does not own me. The crying lands he’s orphaned are silent. My ladies have not yet woken me to wrenching reality and the trials of the day ahead.
Dreams always seem to me a terrible price to pay for the succor of sleep. Neither my naturalists nor my physi- cians seem to be able to explain the purpose of such dreams. And of course, Anure killed all the wizards, so I have none to tell me if magic can answer those nighttime screams. So without answers, and like the exorbitant tithes I’m forced to send to the emperor, I do pay the price, and nightly. The dreamthink is my reward, my time with Calanthe. A gift arising from waking Ejarat of the earth welcoming the return of Her husband, Sawehl of the sun. In the dreamthink, in Calanthe’s sweet communion, I can believe the old gods are with us still, that they haven’t abandoned us. That I have reason to hope.
“Euthalia, wake up. We’re ready,” Tertulyn whispered in my ear. My first lady-in-waiting, doing her duty as always. She couldn’t know she’d woken me from the night- mare instead of the dreamthink. Or that starting my day this way meant it would be certainly cursed.
No one believes in omens or curses anymore. Or hope, for that matter. In this, too, I am alone.
Euthalia is a mouthful, but no one calls me that except for Tertulyn so it doesn’t matter. Only Emperor Anure has the rank to address me by my given name, and I avoid con- versation with His Imperial Nastiness to the best of my ability. Tertulyn has called me by my name since we were children, but only when no one can overhear, as etiquette demands.
As if she’d whispered them into my ear along with my name, the concerns of the realm immediately flooded my mind. The emperor’s emissary should have returned in the night and would want an audience with me—something I’d been dreading, as he never brought good news. Rumors had spread of slave uprisings, possibly even rebellion, as unlikely as that would be, that had the emperor both an- gry and insecure in his power. The worst possible combi- nation in a man like him.
If I believed a rebellion could succeed, I would rejoice in the battle to come. But I had no hope of that. No one could defy Anure’s vast power and ability to destroy the least whimper of resistance, as all those kingless and queenless lands testified, crying their hopelessness to me every night.
No, such rumors meant the Imperial Tyrant would only tighten his fist—one that already strangled us nearly to death. The prospect of worse to come made me inexpress- ibly weary, and I hadn’t even gotten out of bed yet.
Nevertheless, I had to face the day. A realm awaited the sun of my presence, after all.
I opened my eyes and pasted a serene smile on my lips.
Tertulyn—already wigged, gowned, and decked in fresh flowers—stood a decorous three steps back from my bed, hands folded over her heart. All equally polished and lovely as morning dew, my five junior ladies awaited in a ring around her. They’d all been up since well before dawn to dress themselves before attending me. And yet their eyes sparkled as brightly as the birds that had shown me the sun on the sea, pretty painted lips curved in delighted smiles. Though I was only twenty-six, they made me feel old.
If a witch offered me a magic potion to remove the last ten years and restore my youth—and the innocent belief I’d had then, that my life would be a good one—I’d down it without question. Even if it meant my death the next day. No, that was a lie. I would never shirk my duty to Calanthe, not even for such a fantasy. Not without an heir to take my place. No matter how old and tired I felt.
JEFFE KENNEDY is an award-winning, bestselling author who writes fantasy, fantasy romance, and contemporary romance. She serves on the Board of Directors for SFWA as a Director at Large. Her most recent works include Prisoner of the Crown and the upcoming Exile of the Seas, from her high fantasy trilogy from Rebel Base books, The Chronicles of Dasnaria, in the same world as her award-winning fantasy series The Twelve Kingdoms and The Uncharted Realms. She is a hybrid author, and also self-publishes a fantasy series, Sorcerous Moons. Her books have won the RT Reviewers’ Choice Best Fantasy Romance of 2015, been named Best Book of June 2014, and won RWA’s prestigious RITA® Award. She lives in Santa Fe, New Mexico, with two Maine coon cats, plentiful free-range lizards and a very handsome Doctor of Oriental Medicine. Jeffe can be found online at her website: JeffeKennedy.com, every Sunday at the SFF Seven blog, on Facebook, on Goodreads and on Twitter @jeffekennedy.
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